Work
Enterprise / Video SaaS · Designed during contract · May 2022–Feb 2023

Turning a video service into software its customers could run.

Designed AI-assisted creation workflows for enterprise video teams: asset management, brand-kit controls, versioning and export states.

Role
Senior Product Designer, Contract
Timeline
May 2022 — Feb 2023
Company
AdPipe / SuperGIF
AdPipe creation and asset-management surfaces.
AdPipe creation and asset-management surfaces.
01

Context

AdPipe had a real creative operation around video repurposing; the next step was productisation. Turning what a team could do manually into workflows an enterprise user could understand, repeat and trust inside software is harder than it looks: video tools bloat, asset libraries become dumping grounds, brand controls go vague, export states become an afterthought. The work was to structure messy creative production without stripping out the flexibility that made the service valuable.

02

The product problem

Not “how do we let people make videos?” but: how do we help teams create, adapt, manage and export branded video assets without depending on a service team for every variation? The interface had to answer practical questions quickly. Where are my assets? What version am I on? What brand rules apply? What happens when export fails?

03

Designing the creation workflow

The creation flow had to avoid two extremes: a fully open editor with too much surface area, and a rigid template picker that felt limited. The middle path was guided creation: flows for social resizing, trimming, text, graphics, audio and reusable brand elements as one coherent, progressive system where users understood what was editable, what was locked by brand rules, and what output they were working toward.

The AdPipe Source Videos workspace, with source material organised into rows of previewable items.

Scroll the frame sideways to read the full width.

Source videos stay organised and previewable before editing begins.
The AdPipe creation workspace, showing the video being worked on together with its editing controls and supporting assets in one view.

Scroll the frame sideways to read the full width.

The creation workspace keeps the active video, editing controls and supporting assets inside one bounded workflow.
Three frames: input, configuration, produced output.
A guided creation flow moves from source asset to brand-constrained configuration to an export-ready output. Recreated with non-client imagery to protect confidential campaign work.
04

Asset and content management

The asset library wasn’t storage; it was part of the production workflow. Clearer asset cards, preview states, folder logic, search, tags and content-request flows supported both retrieval and decision-making: not only “where is this file?” but “is this the right asset for this output?”

The AdPipe asset library, showing reusable media presented as cards within the workspace.
Reusable media surfaced as production assets rather than a flat file store.
An AdPipe Generator panel opened over the library, offering local video or GIF upload and a YouTube URL as ways to add source media.
Source media can be added from a local upload or YouTube without leaving the library.
05

Brand-kit and reusable controls

For enterprise video, brand consistency is infrastructure, not decoration. The brand-kit work made reusable controls visible and usable: logos, colours, typography, layout rules, reusable graphics, campaign constraints. A good in-product brand system shouldn’t require users to remember the rules; it makes right choices easier and wrong choices harder.

06

Versioning, export and delivery states

Export is where trust is confirmed or broken. Users needed to know what was being exported, in which format, for which platform, from which version, with what status. I designed clearer version-control patterns, export and download management, and success and error states so the product communicated progress and failure without forcing users to decode technical states.

The AdPipe Clips workspace, listing produced video outputs as individual items in the product.

Scroll the frame sideways to read the full width.

Clip outputs collected as discrete assets for review and downstream use.
07

Design system foundations

The same patterns repeat across many surfaces: cards, controls, slide-overs, pagination, upload flows, sidebars, empty/error/success states. The design-system work was about reducing product entropy, so creation, asset management and account workflows stopped feeling like separate products.

An AdPipe upload showing its progress in place, over the surrounding product content rather than in a separate modal.

Scroll the frame sideways to read the full width.

In-context upload feedback keeps a background asset task visible without blocking the surrounding workspace.
08

What changed

The work turned broad product and service themes into structured software workflows. Instead of one large editor, the product became a connected system: assets, generation, brand controls, editing, versions, export and account management. Easier to scope, easier to build, easier to discuss across product and engineering.

ai-workflowscomplex-systemscreative-systems
Next case study
Making learner progress useful without reliable internet.