Work
Open source / Cultural design systems

When the icon set has six clouds and no danfo.

I built African Icon Library because many of the objects, places and routines familiar across African life are still missing from the icon sets designers inherit. The released system brings 30 icons and 54 country maps into a searchable site, React components and a Figma plugin.

Role
Creator & Designer
Timeline
2024 — Present
Company
Independent / Open-source project
African Icon Library icons and country maps on their category-colour fields
01

Making room for African everyday life

The icon libraries designers inherit are very good at generic interface symbols. They have far less room for the things that make African products recognisable: local transport, food, clothing, markets and everyday routines. I built African Icon Library to bring those references into the tools designers already use.

The released library contains 30 icons across seven categories and 54 country maps, available as SVGs, React components, a searchable website and a Figma plugin.

The drawings at work in transit, packaging, editorial and product design.
The drawings at work in transit, packaging, editorial and product design.
From everyday objects to the complete icon and map collection.
02

Drawing a consistent language

Each icon follows a 24 × 24 grid, 1.5-unit regular stroke and rounded caps and joins. The categories have distinct colour fields, but a danfo and a passport need to feel equally at home in one interface.

Seven categories, one drawing vocabulary.
Seven categories, one drawing vocabulary.
The grid, line weight and proportions behind every drawing.
The grid, line weight and proportions behind every drawing.

The clay pot crossed the live area in an earlier drawing. I adjusted the shape to keep its recognisable silhouette while making it legible at 16 pixels. The talking drum and danfo follow the same rule: establish the silhouette, then the detail.

Clay pot refinement, talking drum and danfo studies.
Clay pot refinement, talking drum and danfo studies.
03

Small enough for an interface

A useful icon needs to work as a tiny control before it becomes a hero illustration. The same drawings were tested at 16, 24, 32 and 48 pixels and carried into product navigation, payments and transport.

A transit interface at phone scale.
A transit interface at phone scale.
Food ordering, market payments and Lagos transport.
Food ordering, market payments and Lagos transport.
04

54 maps and four deliberate decisions

The map collection covers 54 African UN member states, organised into five regions and drawn in the library's shared line style. Every outline needs to keep its proportions even when it becomes an icon-sized asset.

All 54 country maps, grouped by region.
All 54 country maps, grouped by region.
Morocco, Tanzania, Mauritius and Equatorial Guinea.
Morocco, Tanzania, Mauritius and Equatorial Guinea.

Morocco is represented without Western Sahara. Tanzania retains Unguja and Pemba at their actual positions. Rodrigues and Annobón keep their shapes and bearings in inset treatments. The borders shown do not imply endorsement of territorial claims.

Search by alternative names, regions and ISO codes.
05

Finding, checking and inserting

The searchable site lets designers filter a category, inspect an icon and copy its SVG. The Figma plugin takes the same released asset and inserts it as editable vectors inside a selected frame.

Browse icons and copy SVG.
One plugin, icon and map modes.
One plugin, icon and map modes.
Insert jollof rice as editable vectors.
Insert Tanzania at 256 pixels.
06

One source, every surface

The SVG, typed metadata, React component and editable design vector all come from one source. Keeping that contract shared prevents the library from drifting between the website, code and design tools.

Danfo distributed as one shared asset across code and design.
Danfo distributed as one shared asset across code and design.
07

One visual language

The work extends to transit signage, a magazine contents spread, spice packaging and product interfaces. They show how familiar African references can become ordinary, reusable design materials.

30 icons, seven categories and 54 maps together.
30 icons, seven categories and 54 maps together.
creative-systems
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