Work
Open source / Cultural design systems

When the icon set has six clouds and no danfo.

Most mainstream icon libraries are very good at depicting a generic digital world and considerably worse at depicting the places, objects, clothing, food and routines familiar across African life. I started African Icon Library to make those references easier for designers to find and use.

Role
Creator & Designer
Timeline
2024 — Present
Company
Independent / Open-source project
African Icon Library card image
African Icon Library card image
01

The gap in the default visual vocabulary

Designers working on African products routinely reach for the same global icon libraries. They cover the conventions of digital interfaces well, but many of the references that make African contexts recognisable are missing: local transport, food, clothing, market objects, household items and everyday routines.

That absence looks small until it repeats across products. Teams either substitute a generic symbol, redraw something from scratch or leave the idea out altogether. The result is a visual language that can be technically clear while still feeling detached from the world the product is meant to describe.

02

Build the references that were missing

I built African Icon Library around references that mainstream icon sets regularly miss: people, places, objects and everyday life. The aim is to make familiar African references available as ordinary, reusable design material.

Each icon has to work at interface scale, sit comfortably beside the rest of the set and remain useful outside the exact reference image that inspired it. That pushed the work toward a reusable visual vocabulary with consistent form, legibility and cultural specificity.

Line icon of a danfo minibus, drawn side-on with its windows, wheels and roof rack in a single consistent stroke weight.
Danfo bus
Line icon of a talking drum, showing the hourglass body and the tension cords running along its length.
Talking drum
Line icon of a plate of jollof rice, drawn as a served dish in the same stroke weight as the rest of the set.
Jollof rice
Line icon of an agbada, the flowing wide-sleeved robe drawn front-on with its embroidered neckline.
Agbada
Line icon of the Abuja National Mosque, showing its golden dome and four minarets reduced to the same line vocabulary.
Abuja National Mosque
Line icon of Zuma Rock, the monolith drawn in outline with its distinctive silhouette.
Zuma Rock
03

Treat it as a library, not a gallery

The project is open-source so designers can browse, reuse and extend the set across products. Organising the work as a library turns the illustrations into shared design infrastructure.

I judge each icon by three things: legibility at interface scale, consistency with neighbouring icons and enough specificity to carry the cultural reference while still belonging inside a product.

04

What the project is really about

African Icon Library is ultimately an argument about design infrastructure: the tools designers inherit shape what becomes easy to represent. Expanding that infrastructure with references drawn from African life makes those contexts easier to represent as part of everyday product design.

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